Last weekend, after watching the weather develop for a few days, it looked as though Sunday morning would be interesting with thunderstorms forecast. I headed down to Tower Bridge, as I knew the light would be aligned with the bridge at dawn.
This was the first image I liked of the morning. The sky was a glorious mixture of red, yellow, orange and grey, opalescent clouds.
The rain held off for most of the time I was by the London Assembly. Several ladies past me, heading to an early morning gym class along with many joggers running along the Thames.
Above is the last shot I took before the light was obscured by ran clouds.
Which of these images did you like the most?
After a spectacular sunset last Saturday that unfortunately, due to time of year, happen over London Bridge rather than behind The Shard, lead to an impressive blue hour scene.
The clouds slowly gathered around the top of the skyscraper and half moon rising in the sky.
Shot on a Tilt-Shift lens, to straighten the lines of the Shard and surrounding buildings.
Ness Cove is one of Devon’s most secluded and picturesque beaches, completely enclosed by the shelter of the cliffs above. The secluded beach is tucked away, underneath the Ness Headland.
Access to the beach is through the intriguingly-named Smuggler’s Tunnel, which leads the visitor through the rocks of the Jurassic Cliffs out onto the beach. It is not clear whether the tunnel itself was ever used by smugglers however.
Wembury Seas, taken over Easter, on a trip down to Devon. This end of day shot of Wembury, close to Plymouth was taken at the beginning of the long weekend . Unfortunately, there was little interesting cloud in the sky. However, the rocks and sea were at least playing ball.
Last morning in Devon for a while and the weather was meant to be bad. As I drove towards Dartmoor the fog was think and almost impenetrable. I ended up getting lost on the moors after taking a wrong turn. However, once back on track, the fog gave way to clear skies around Haytor.
Leaving the car in the nearby car park, situated a short walk from Haytor,. The imposing granite stack was covered in lichens and mosses, holding an imposing position over Dartmoor. Apparently, these rocky granite outcrops, or tors, were formed over 280 million years ago.
Hopes Nose, situated close to Torquay on the southern coastline of Devon, was not somewhere I had been before. Fortunately, the light was decent and the tide was compliant, albeit somewhat frisky. From the water’s edge, Ore Stone island is visible below the rising sun. My daughter joined me on location for this shoot. It was a treat to share such a lovely view with her.
This weekend was my first chance in a while to venture out with the camera. I had fairy poor luck with the light, After a stunning afternoon, the moment I arrived at my first London location, the light turned very flat and the scenery became very uninspiring. I used the opportunity to scout out locations for future moments, when the light was better.
I decided to wonder along the Thames and shoot the Millennium Wheel around sunset. However, I spotted this attraction on the banks of the river, close to the Wheel. It was the juxtaposition of the red in the Union Flag against the warm dusk sky that grabbed my attention, along with the big top circus feel of the blue and white striped arms.
At the end of my time in Cornwall and Devon this summer, I drove to a place called Sandymouth, a few miles north of Bude in north east Cornwall. The beach is a photographer’s Mecca, with rocks, sand, cliffs and westerly facing, so fantastic for end of day shots.
The tide was very high the day I visited and I would like to return when it has receded further, exposing more rocks and some sand.
Part of the Devon set from my time there in August. This was taken in Paignton, about 20 mins drive further south from Exeter than Teignmouth. Both towns have piers but Paignton was blessed with a more impressive sunrise the morning I was there.
This shot was taken moments after the sun crept over the horizon and was a long exposure as I was looking to create the illusion of a vanishing point aligned with the end of the pier.
The shot below was taken about 45 minutes later, from the other side of the pier. Again, I employed a long exposure to fill the vast sky with movement. The golden hour had past by the time I took this shot, with the cooler blue tones more apparent.