Shot for the Day (20 January 2018)


Taken in 2017 in south east Devon, this singular tree stood alone on the common.  Above, storm clouds gathered. Indeed, I just managed to pack away before the rain fell hard. As the scene was devoid of much colour, black and white seemed a better way to convey the sinister, brooding scene best.

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Shot for the Day (16 January 2018)


Some days just feel darker and more moody than others. This was taken on a beach in Scotland moments before the heavens opened and drenched what was not already wet.  I had camped out close by the previous night to the rhythmic sound of crashing waves. Although sinister looking, the location was actually quite invigorating, especially when trapped by the concrete walls of London.

Shot for the Day (30 September 2017)


Once back on the mainland in Ullapool in Scotland and I decided to visit the local light house I had spotted on the way out and back from the Outer Hebrides.  I found a good location overlooking Rhue Lighthouse but I was being heavily buffeted by the wind, which was far stronger than the waves in the image show.  However, after about half an hour of opalescent skies, the clouds parted and the shaft of light caught the beach in the foreground and struck the light house perfectly beyond it.

I ended up having to drive pretty hard to make up for the time I spend fiddling around to get this shot, to make my flight that evening in Glasgow. however, it was definitely worth it.

Shot for the Day (26 September 2017)


The moody weather seemed very suited to the scene at Bosta beach. In the back ground, the Time and Tide Bell, by Marcus Vergette is visible. This is one of up to twelve installations around the UK, created to reinforce connections between man’s influence on the landscape and its effect on the rising sea levels. Effectively, the bell will stop tolling when the sea level rises to a certain point.

Shot for the Day (9 November 2014)

Riding the storm out

I miss the big country.  The violence of the weather, the sheer size of the landscape. Most of all, I miss nature.  Singapore is so many things but alas, not natural.  Everything here is outlandish, larger than life.  Perhaps the weather in this image I took in California a couple of years ago is also as prodigious in its own way as Singapore is.

Two hours after I took this image, the rain had washed the road out leaving all timorous motorists stranded.  However, I was in the world’s best off road car; a rental Ford Mustang convertible, which ploughed through the rushing waters.  Although it leaking into the footwells as the water level rose above the base door height, the car made it.  I can still recall the sight of several scared drivers disappearing behind me in my rear view mirror, all huddled motionless in their pick up trucks.