Shot for the Day (2 November 2017)

Rushing waves of the Atlantic in the early morning global of a rising sun.

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Shot for the Day (30 October 2017)


After trekking a few miles from a small car park at Huisinis, which itself was at the end of a long single track B road, I camped in a very isolated position, looking over at the Isle of Scarp.

The following morning, I awoke at 3.20am and walked a further 2 miles, to the end of the peninsula, to watch the majesty of the sun rising over the horizon in absolute solitude. The warm, golden light reflected on the rocks in front of me, silhouetting the distant mountains.  This image was a long exposure (201 seconds) as I wanted to soften the choppy waters and elongate the few clouds on the horizon.

Shot for the Day (21 September 2017)


Having had a succession of great weather days, the Scottish summer finally set in on my third day in the Isle of Harris and Lewis. I was up well before 4am and had been walking around the beach looking for a good spot to shoot from, without disturbing the sand. This shot was taken at just after 5am, just as I was about to give in. The rain had been gradually falling since dawn broke and I was sure that there would not be a decent image to capture under such circumstance. I am glad I persevered. The light in this picture is quite eerie but I like it.

Shot for the Day (16 April 2017)


Another dawn over the east coast of La Palma. This secluded beach at Cancajos was abandoned as the tides were pretty rough and the weather was a cool sixteen degrees Celsius.   This place is a Mecca for anyone who loves dawn at a civilised hour.  It is in the same time zone as the UK but is sufficiently west, so instead of sunrise at 6.30am it was at 8am.

I took the second image about 25 metres to the left of this image, just as the sun broke through the clouds.

Shot for the Day (09 April 2017)

This shot was taken on La Palma, one of the Canary Islands, off the coast of West Africa.  La Palma is often referred to as La Isla Bonita (beautiful island) and after spending a few days there, I can see why. This is from the beach closest to the hotel called Cancajos.  This is a long exposure (150 second) shot of sunrise over the black, volcanic sand. The sun was finally breaking through the permanent band of cloud on the horizon, illuminating the jagged rocks on the shoreline.

Shot for the Day (24 March 2017)

Machu Picchu at dawn, taken back in 2007 on my medium format film camera.  This image is around the same size as the actual transparency.  There were a lot more people there but most of them were standing in a line next to me taking a similar shot to me.

If you have not seen Machu Picchu, it is one of those special places you should try to see in your lifetime, especially if you are able to trek to it along the Inca trail.

Shot for the Day (18 February 2017)

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Last week saw story weather striking the south coast of the UK.  I was in Devon and took the opportunity to travel to Dawlish Walsh.  The sun was not hidden behind opalescent clouds but the water was being violently tossed around by the gale force winds.  The groynes in this picture are at the top of the beach and seldom get wet.  On this day, they were over run with wave upon wave.

Shot for the Day (05 December 2016)

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I was in Stockholm at the end of last week and wondered down to the harbour in search of a morning shot before the working day commenced.  The weather forecast had stated it would be a clear, sunny day, yet as I stood on the quayside, it started to snow gently.  As the opalescent cloud drifted off in a south easterly direction,  the dawn light emerged along with some dawn colours.

The second shot below I took a short while later, with a Lee Filter Little Stopper (x6 ND filter), to lengthen the exposure.  I lost the colour in the clouds but the movement of the ferry and sky made for an interesting alternative version of the same scene.

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Shot for the Day (1 November 2016)

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After waking up early for a dawn shoot, I was a little dejected by the lackluster weather.  However, using a Lee Filter Big Stopper to slow the scene down and generate movement in the clouds, whilst making the sea turn more glassy.

The delicate orange glow below the morning clouds, behind the pillar of land at Ladram Bay in Devon made for a rather haunting scene.