Shot for the Day (12 June 2017)

Last shot in the sequence from the previous weekend in Devon. An interesting outcrop of rocks, jutting into the sea, replete with seaweed on the Jurassic coast.  This shot was taken facing south, with the sun setting 90 degrees to my right. The gentle evening colours were caught in the lower clouds on the horizon.

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Shot for the Day (08 June 2017)

Stormy weather ahead.

The last vestiges of light were visible in the opalescent sky. Shortly after this shot was taken, the heavens opened and the rain did not stop for the next two days.

Believe it or not, this was taken on a very popular beach in Devon, just at a very unpopular time (i.e. moments before a torrential rain storm). Definitely worth it!

Shot for the Day (06 June 2017)

Taken a few days ago on the beach at Budleigh Salterton, the fisherman in the picture very kindly asked if he was ruining my shot by fishing in front of me.  Normally one for trying to avoid human presence in my images, this one worked out very nicely. The lonely fisherman occupies the space between sky and sea.

Shot for the Day (23 February 2017)

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Walking along the beach in Exmouth last week, the clouds took on a pattern similar to the sand bumps on the shore.  My new Formatt-Hitech filter gave a warm purple tone instead of the customary cold blue of the Lee filters, lifting the colour of the scene. I was so pre-occupied with the scene that I did not notice the progressive surf.  Moments later, a wave washed in from my left and soaked me to the knee.  Worth it though.

Shot for the Day (4 November 2016)

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Low tide on Exmouth beach over the weekend.  The water was low enough to reveal this concrete jetty, covered in very green seaweed.  A long exposure blurred the sky and left the water a milky, glassy texture.  You can just make out a seagull at the end of the jetty.  It stood there almost motionless for the 260 second exposure.

Shot for the Day (1 November 2016)

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After waking up early for a dawn shoot, I was a little dejected by the lackluster weather.  However, using a Lee Filter Big Stopper to slow the scene down and generate movement in the clouds, whilst making the sea turn more glassy.

The delicate orange glow below the morning clouds, behind the pillar of land at Ladram Bay in Devon made for a rather haunting scene.

Shot for the Day (01 September 2016)

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Walking between Exmouth and Budleigh Salterton over the weekend, in south Devon, I spotted this interesting rocky outcrop.  The sun was beginning to drop to my right and threw an captivating shaft of light across the scene.  The tide was washing close to the top of my Wellington boots and I had a camera bag full of kit precariously balanced on the rocks next to me.  I had just enough time to grab a couple of shots before having to clamber up the rocks.  Definitely worth it.

Shot for the Day (22 August 2016)

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Last weekend, the UK was battered with gale force winds and heavy rain.  I headed down to Sidmouth in Devon to try and capture some of nature’s drama.  The first shot was from a rock jetty by the sea. I used a Little Stopper, which caused an interesting colour cast in the image.  The sea was a deep red from the churned up sea bed.

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I move along the beach to grab this shot of the waves breaking against the concrete causeway.  The evening sun was behind me but the clouds to the east reflected the evening glow, behind the crashing waves.

Shot for the Day (09 August 2016)

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Whilst out one evening in Devon, I was walking along the Jurassic coastline when the light made me stop in my tracks.  Using a Lee Filter Big Stopper, I softened the rolling waves into silky smooth wisps, lapping against the groyne.

As the light changed, the waves became ever more energetic.  Soon, the pinky orange hues gave way to the grey blues post sunset, making the whole scene feel palpably colder.

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