Ness Cove is one of Devon’s most secluded and picturesque beaches, completely enclosed by the shelter of the cliffs above. The secluded beach is tucked away, underneath the Ness Headland.
Access to the beach is through the intriguingly-named Smuggler’s Tunnel, which leads the visitor through the rocks of the Jurassic Cliffs out onto the beach. It is not clear whether the tunnel itself was ever used by smugglers however.
Wembury Seas, taken over Easter, on a trip down to Devon. This end of day shot of Wembury, close to Plymouth was taken at the beginning of the long weekend . Unfortunately, there was little interesting cloud in the sky. However, the rocks and sea were at least playing ball.
Hopes Nose, situated close to Torquay on the southern coastline of Devon, was not somewhere I had been before. Fortunately, the light was decent and the tide was compliant, albeit somewhat frisky. From the water’s edge, Ore Stone island is visible below the rising sun. My daughter joined me on location for this shoot. It was a treat to share such a lovely view with her.
Back in Devon, I started my series of 4am wake up calls, to get out and capture the early morning sun over Devon. On day 1, I headed down to Teignmouth, south west of Exeter. I chatted to a few dawn swimmers, including a lady who was in her eighties and had been pursuing a dawn bathing for over 40 years, which was the reason she moved to Teignmouth in the first place apparently.
The shot below was taken about 45 minutes earlier of the same scene, as the dawn light was breaking across the maritime vantage point. The sun never quite broke through the clouds but the sky was a glorious amalgam of purple, orange and pink hues.
An early morning slow sunrise over the channel in east Devon. There was very little movement in the water and yet the clouds moved at a quickened pace above me.
This shots was taken about 30 minutes after dawn had broken, just as the sun finally cleared the bank of cloud hugging the horizon.
Another early rise shot on Dawlish Warren. The clouds had meant the sunrise was not as spectacular as I had hoped, so I tried my Lee Big Stopper. This created the pleasant softening of the clouds and water. It also added a blue cast to the image, which I chose to preserve.