After a spectacular sunset last Saturday that unfortunately, due to time of year, happen over London Bridge rather than behind The Shard, lead to an impressive blue hour scene.
The clouds slowly gathered around the top of the skyscraper and half moon rising in the sky.
Shot on a Tilt-Shift lens, to straighten the lines of the Shard and surrounding buildings.
Wembury Seas, taken over Easter, on a trip down to Devon. This end of day shot of Wembury, close to Plymouth was taken at the beginning of the long weekend . Unfortunately, there was little interesting cloud in the sky. However, the rocks and sea were at least playing ball.
This weekend was my first chance in a while to venture out with the camera. I had fairy poor luck with the light, After a stunning afternoon, the moment I arrived at my first London location, the light turned very flat and the scenery became very uninspiring. I used the opportunity to scout out locations for future moments, when the light was better.
I decided to wonder along the Thames and shoot the Millennium Wheel around sunset. However, I spotted this attraction on the banks of the river, close to the Wheel. It was the juxtaposition of the red in the Union Flag against the warm dusk sky that grabbed my attention, along with the big top circus feel of the blue and white striped arms.
Exmouth beach, one of my favourite places to shoot, deep in the blue hour as the last remnants of the day concede to the inky blues and blacks of night time. This was well after sunset but the image of the moon almost perfectly aligned above the groyne gave this cool blue scene a sense of symmetry.
Whilst in Cornwall, I visited a lovely little beach called Spit beach Par, just to the west of St Austell. To the right of where the footpath arrives at the beach, is a lovely expanse of sand. However, to the left, is this interesting, rocky area.
The evening when I was there, a local camera group were out in force, which did not surprise me as it was a great spot. The time of year to shoot the beach would probably be in the winter, when the setting sun would be more out to sea instead of over the land, as you can see in the image below.
Part of a selection of work from our recent family holiday down in Cornwall and Devon. This one is of St Michael’s Mount at dusk. The tide was high and the mosquitoes were out in force, so I was glad to find a decent vantage point.
Taken a few years back when I was based in Singapore, this was an evening shot from the Marina Bay Sands area, looking over the CBD (Central Business District).
Another weekend down in Sussex and I wanted to find an alternative view of Bosham harbour. As the sun dropped behind the village with its iconic church depicted in the Bayeux Tapestry and said to have been built on the crypt where King Kanute was buried, I chanced upon this scene. In the foreground, the seaweed looked more like the webbing of a giant spider, blanketing the exposed wetlands at low tide.
Over the weekend, I was down in Devon and had hoped to be able to shoot a more natural setting than my recent London city images. However, the weather had other plans. On Saturday evening, the miss rolled in and even before I arrived at Budleigh Salterton beach to shoot the end of day scenery, the fog meant that the view was very limited.
With the limited vista available, I ended up taking long exposure images of the waves lashing the shoreline. With no fixed point in focus, the end result is more reminiscent of a painting than a photograph. It also goes to show that even when you have poor light and limited options, there are still photographs worth taking.