This weekend was my first chance in a while to venture out with the camera. I had fairy poor luck with the light, After a stunning afternoon, the moment I arrived at my first London location, the light turned very flat and the scenery became very uninspiring. I used the opportunity to scout out locations for future moments, when the light was better.
I decided to wonder along the Thames and shoot the Millennium Wheel around sunset. However, I spotted this attraction on the banks of the river, close to the Wheel. It was the juxtaposition of the red in the Union Flag against the warm dusk sky that grabbed my attention, along with the big top circus feel of the blue and white striped arms.
Walking through the streets of London a few years ago armed with my compact camera, I saw this picturesque scene of shafts of light emerging between the trees of Bedford Square Garden, close to Tottenham Court Road.
The first decent (weekend) day of weather in London for almost a month and I was out to grab some more shots of London. Above is the Lloyds building with the Leadenhall Building to the right (also affectionately know as the Cheese Grater). The curved glass facia of the building behind me to my left was throwing a lovely afternoon golden glow on the Lloyd building.
I wondered down to the river over the course of the afternoon and set up on the north shore of the River Thames, overlooking Tower Bridge and the Shard. A gaggle of photographers descended upon my location moments after I set up, which somewhat took away from the moment. However, they were a friendly bunch of mature gentlemen, so were very pleasant company.
Towards the end of a very grey day in London, the clouds started to break up as I was overlooking the Shard on the River Thames. Lights from London Bridge cast a golden hue in the foreground with the trace of a tourist boat passing. The tide was dropping fast, exposing the remains of wooden groynes beneath the waters, creating interesting shapes in the river.
It was a glorious day in London today, so I grabbed the camera and headed to the South Bank. As Big Ben and the Houses of Parliament are currently under wraps, the Millennium Wheel seemed like a good place to grab a few shots. This photograph was exposed for almost 7 minutes, hence the motion blur and absence of people (best way to remove them from the scene).
I am trying to improve my cityscape portfolio, especially of London as it is my home city. This weekend, I went walking for hours and ended up back at Tower Bridge. The streets were teeming with thousands of tourists and people on half term holiday. After much searching, I found a small platform on the Thames walk, overlooking Tower Bridge and the London Assembly. The clouds framing the Shard were perfect for a portrait of the scene.
Saturday walk along the River Thames and we finally had some clement weather, albeit not balmy.
I was trying out my new 25mm lens with a Firecrest 3.0 HD this weekend. Not the classic streaking clouds shot but was quite interesting. I have started to do more HDR images (this is not one of them) as I have seem some great YouTube videos on how to combine images subtly.
Early yesterday morning, I stood opposite the London Eye to watch the dawn of a new day in London. The shot above is a panorama of four shots stitched together of the south side of the River Thames. The image is almost 18k pixels in width.
The shot below was taken a few moments before that, as the first light of day broke behind the Wheel. The maintenance team still had the red lights on the wheel switched on and the so too for the Marriott County Hall Hotel.
A couple of other extra long exposure shots from last weekend. This one was taken close to the Millennium Bridge. As the river was low, I was able to walk down to the beach, to take a lower angle shot of the Thames and Shard. The sun had finally broken through the clod, albeit temporarily, to illuminate the scene and bath the Shard in light.
This next shot was of HMS Belfast, across the Thames, of the Walkie Talkie building with the Gherkin also visible. As the ship was floating on the river, it tended to bob around, so I diminished the length of the exposure to compensate. You can see this in comparison to the tub boats in the foreground, which are blurred.