Taken in 2017 in south east Devon, this singular tree stood alone on the common. Above, storm clouds gathered. Indeed, I just managed to pack away before the rain fell hard. As the scene was devoid of much colour, black and white seemed a better way to convey the sinister, brooding scene best.
It was a glorious day in London today, so I grabbed the camera and headed to the South Bank. As Big Ben and the Houses of Parliament are currently under wraps, the Millennium Wheel seemed like a good place to grab a few shots. This photograph was exposed for almost 7 minutes, hence the motion blur and absence of people (best way to remove them from the scene).
After trekking a few miles from a small car park at Huisinis, which itself was at the end of a long single track B road, I camped in a very isolated position, looking over at the Isle of Scarp.
The following morning, I awoke at 3.20am and walked a further 2 miles, to the end of the peninsula, to watch the majesty of the sun rising over the horizon in absolute solitude. The warm, golden light reflected on the rocks in front of me, silhouetting the distant mountains. This image was a long exposure (201 seconds) as I wanted to soften the choppy waters and elongate the few clouds on the horizon.
The day had been a mixture of rain and clouds. For landscape photography, this can either mean a really interesting cocktail of factors or a nightmare in the making. Alas, the rain had meant that the morning had been a write off. I travelled the length of the north coast of the Isle of Lewis without finding the right ingredients for a memorable image.
After scrutinising a map, I noticed an interesting coastline option that meant transversing a local farmer’s land. With no one around to ask for permission, I trekked the 2km to the beach and found the stormy, isolate image above. This image is a 100 second exposure using a 10 stop ND filter. The long exposure robbed the photograph of some of the colour. To counter this, I put my longer prime lens on my camera and took a 2 second shot of a section of the same scene.
This shot was taken on La Palma, one of the Canary Islands, off the coast of West Africa. La Palma is often referred to as La Isla Bonita (beautiful island) and after spending a few days there, I can see why. This is from the beach closest to the hotel called Cancajos. This is a long exposure (150 second) shot of sunrise over the black, volcanic sand. The sun was finally breaking through the permanent band of cloud on the horizon, illuminating the jagged rocks on the shoreline.
Saturday walk along the River Thames and we finally had some clement weather, albeit not balmy.
I was trying out my new 25mm lens with a Firecrest 3.0 HD this weekend. Not the classic streaking clouds shot but was quite interesting. I have started to do more HDR images (this is not one of them) as I have seem some great YouTube videos on how to combine images subtly.
For the last couple of weeks before Christmas, I was in China on business. I spent my time in Shanghai and Qingdao. Unfortunately, in Qingdao, I did not have the chance to take any shots. However, I was fortunate enough whilst staying in Shanghai to have a day when the smog was not too heavy and the sun was out, albeit briefly.
After taking lots of shot of the river and Pudong, from the boulevard on The Bund, I spotted a raised platform and included the foreground Christmas bustle. To make the image more interesting, I used a combination of filters including a Polariser, Big Stopper and 0.9ND. I was fortunate that the lady in the yellow jacket hardly moved whilst I took this long exposure, which really anchors the shot for me.
I was in Stockholm at the end of last week and wondered down to the harbour in search of a morning shot before the working day commenced. The weather forecast had stated it would be a clear, sunny day, yet as I stood on the quayside, it started to snow gently. As the opalescent cloud drifted off in a south easterly direction, the dawn light emerged along with some dawn colours.
The second shot below I took a short while later, with a Lee Filter Little Stopper (x6 ND filter), to lengthen the exposure. I lost the colour in the clouds but the movement of the ferry and sky made for an interesting alternative version of the same scene.
Last weekend, the UK was battered with gale force winds and heavy rain. I headed down to Sidmouth in Devon to try and capture some of nature’s drama. The first shot was from a rock jetty by the sea. I used a Little Stopper, which caused an interesting colour cast in the image. The sea was a deep red from the churned up sea bed.
I move along the beach to grab this shot of the waves breaking against the concrete causeway. The evening sun was behind me but the clouds to the east reflected the evening glow, behind the crashing waves.