Shot for the Day (12 September 2019)

After a spectacular sunset last Saturday that unfortunately, due to time of year, happen over London Bridge rather than behind The Shard, lead to an impressive blue hour scene.

The clouds slowly gathered around the top of the skyscraper and half moon rising in the sky.

Shot on a Tilt-Shift lens, to straighten the lines of the Shard and surrounding buildings.

Shot for the Day (10 October 2018)


This weekend was my first chance in a while to venture out with the camera. I had fairy poor luck with the light, After a stunning afternoon, the moment I arrived at my first London location, the light turned very flat and the scenery became very uninspiring. I used the opportunity to scout out locations for future moments, when the light was better.

I decided to wonder along the Thames and shoot the Millennium Wheel around sunset. However, I spotted this attraction on the banks of the river, close to the Wheel. It was the juxtaposition of the red in the Union Flag against the warm dusk sky that grabbed my attention, along with the big top circus feel of the blue and white striped arms.

Shot for the Day (4 November 2016)

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Low tide on Exmouth beach over the weekend.  The water was low enough to reveal this concrete jetty, covered in very green seaweed.  A long exposure blurred the sky and left the water a milky, glassy texture.  You can just make out a seagull at the end of the jetty.  It stood there almost motionless for the 260 second exposure.

Shot for the Day (02 August 2016)

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A couple of other extra long exposure shots from last weekend.  This one was taken close to the Millennium Bridge.  As the river was low, I was able to walk down to the beach, to take a lower angle shot of the Thames and Shard. The sun had finally broken through the clod, albeit temporarily, to illuminate the scene and bath the Shard in light.

This next shot was of HMS Belfast, across the Thames, of the Walkie Talkie building with the Gherkin also visible.  As the ship was floating on the river, it tended to bob around, so I diminished the length of the exposure to compensate.  You can see this in comparison to the tub boats in the foreground, which are blurred.

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