I was recently back down in Devon and took this opportunity to do a few early morning shoots of new places.
This one is of Daymark, in Kingswear Devon, which was built in 1864 by the Dartmouth Harbour Commissioners. It is a hollow, octagonal tower, 24m tall, constructed of limestone. It was built as a guide to mariners to the position of the harbour entrance and is visible for many miles out to sea.
This weekend was my first chance in a while to venture out with the camera. I had fairy poor luck with the light, After a stunning afternoon, the moment I arrived at my first London location, the light turned very flat and the scenery became very uninspiring. I used the opportunity to scout out locations for future moments, when the light was better.
I decided to wonder along the Thames and shoot the Millennium Wheel around sunset. However, I spotted this attraction on the banks of the river, close to the Wheel. It was the juxtaposition of the red in the Union Flag against the warm dusk sky that grabbed my attention, along with the big top circus feel of the blue and white striped arms.
Part of the Devon set from my time there in August. This was taken in Paignton, about 20 mins drive further south from Exeter than Teignmouth. Both towns have piers but Paignton was blessed with a more impressive sunrise the morning I was there.
This shot was taken moments after the sun crept over the horizon and was a long exposure as I was looking to create the illusion of a vanishing point aligned with the end of the pier.
The shot below was taken about 45 minutes later, from the other side of the pier. Again, I employed a long exposure to fill the vast sky with movement. The golden hour had past by the time I took this shot, with the cooler blue tones more apparent.
Exmouth beach, one of my favourite places to shoot, deep in the blue hour as the last remnants of the day concede to the inky blues and blacks of night time. This was well after sunset but the image of the moon almost perfectly aligned above the groyne gave this cool blue scene a sense of symmetry.
Taken a couple of weeks ago at Bantham Bay in Devon, the tide was receding, which allowed me to chase the water line without worrying about my footsteps. Unfortunately, there were no crashing waves on the rocks in the foreground.
As the light faded from golden hour to the blue hour, I took the shot below. The rocks on the right were already beginning to reflect some of the light from the rising full moon.
This is a shot of one of the stone jetties on Dawlish. The sky was overcast but there was some really interesting light breaking through. My HiTech grad filter has a purple cast to them, much like Lee filters have a slight blue cast, which coloured the sky. Juxtaposed next to the polarised sea, which looked green after a chopping night and the colours look other worldly.
Back in Devon, I started my series of 4am wake up calls, to get out and capture the early morning sun over Devon. On day 1, I headed down to Teignmouth, south west of Exeter. I chatted to a few dawn swimmers, including a lady who was in her eighties and had been pursuing a dawn bathing for over 40 years, which was the reason she moved to Teignmouth in the first place apparently.
The shot below was taken about 45 minutes earlier of the same scene, as the dawn light was breaking across the maritime vantage point. The sun never quite broke through the clouds but the sky was a glorious amalgam of purple, orange and pink hues.
Part of a selection of work from our recent family holiday down in Cornwall and Devon. This one is of St Michael’s Mount at dusk. The tide was high and the mosquitoes were out in force, so I was glad to find a decent vantage point.
It was a glorious day in London today, so I grabbed the camera and headed to the South Bank. As Big Ben and the Houses of Parliament are currently under wraps, the Millennium Wheel seemed like a good place to grab a few shots. This photograph was exposed for almost 7 minutes, hence the motion blur and absence of people (best way to remove them from the scene).