Shot for the Day (12 September 2018)


Part of the Devon set from my time there in August. This was taken in Paignton, about 20 mins drive further south from Exeter than Teignmouth. Both towns have piers but Paignton was blessed with a more impressive sunrise the morning I was there.

This shot was taken moments after the sun crept over the horizon and was a long exposure as I was looking to create the illusion of a vanishing point aligned with the end of the pier.

The shot below was taken about 45 minutes later, from the other side of the pier. Again, I employed a long exposure to fill the vast sky with movement. The golden hour had past by the time I took this shot, with the cooler blue tones more apparent.

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Shot for the Day (6 September 2018)


This is a shot of one of the stone jetties on Dawlish. The sky was overcast but there was some really interesting light breaking through. My HiTech grad filter has a purple cast to them, much like Lee filters have a slight blue cast, which coloured the sky. Juxtaposed next to the polarised sea, which looked green after a chopping night and the colours look other worldly.

Shot for the Day (5 September 2018)


Back in Devon, I started my series of 4am wake up calls, to get out and capture the early morning sun over Devon.  On day 1, I headed down to Teignmouth, south west of Exeter. I chatted to a few dawn swimmers, including a lady who was in her eighties and had been pursuing a dawn bathing for over 40 years, which was the reason she moved to Teignmouth in the first place apparently.

The shot below was taken about 45 minutes earlier of the same scene, as the dawn light was breaking across the maritime vantage point.  The sun never quite broke through the clouds but the sky was a glorious amalgam of purple, orange and pink hues.

Shot for the Day (31 August 2018)


Part of a selection of work from our recent family holiday down in Cornwall and Devon. This one is of St Michael’s Mount at dusk. The tide was high and the mosquitoes were out in force, so I was glad to find a decent vantage point.

Shot for the Day (19 April 2018)


Over the weekend, I was down in Devon and had hoped to be able to shoot a more natural setting than my recent London city images.  However, the weather had other plans. On Saturday evening, the miss rolled in and even before I arrived at Budleigh Salterton beach to shoot the end of day scenery, the fog meant that the view was very limited.

With the limited vista available, I ended up taking long exposure images of the waves lashing the shoreline. With no fixed point in focus, the end result is more reminiscent of a painting than a photograph.  It also goes to show that even when you have poor light and limited options, there are still photographs worth taking.

Shot for the Day (03 March 2018)


This is a shot from the Serengeti in north west Tanzania. There were a load of people standing around the scene, so I found a knoll next to the small body of water that elevated me just above the height of the foliage. The water was full of hippopotamuses and crocodiles, which was another reason I wanted to put some height between me and them.

Several tourists stood perilously close to the edge of the water, even though they had been expressly told by their guide not to do so, putting them in the perfect position for a croc to grab a late snack.  I kept my camera poised for an action shot…

Shot for the Day (26 February 2018)


Spent the weekend down in Sussex with my mother to mark ten years since my father’s death and wanted to capture a quintessentially local scene of Bosham, where he was laid to rest. It was a stunning day and the sky lit up in a stunning, fiery orange after the sun had set. This is of the Bosham sailing club, in dwindling light.