Shot for the Day (20 January 2018)


Taken in 2017 in south east Devon, this singular tree stood alone on the common.  Above, storm clouds gathered. Indeed, I just managed to pack away before the rain fell hard. As the scene was devoid of much colour, black and white seemed a better way to convey the sinister, brooding scene best.

Shot for the Day (29 November 2016)

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Strange shapes in the desert. Whilst crossing the Atacama desert in Bolivia, I passed through the Salar de Uyuni salt flats.  In the vastness of the white desert, strange shapes were cut into the floor.  Blocks of salt were extracted and left in the sun to dry before being removed and sold.  The remaining angular shapes were gradually filled with the water that lingered beneath the surface.

In the wet season, the floor of the salt flats becomes flooded and the looks like an impossibly huge mirror, making it hard to know which is heaven and earth.

Shot for the Day (09 August 2016)

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Whilst out one evening in Devon, I was walking along the Jurassic coastline when the light made me stop in my tracks.  Using a Lee Filter Big Stopper, I softened the rolling waves into silky smooth wisps, lapping against the groyne.

As the light changed, the waves became ever more energetic.  Soon, the pinky orange hues gave way to the grey blues post sunset, making the whole scene feel palpably colder.

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Shot for the Day (08 August 2016)

Salar de Uyuni

At the edge of the world is a place called the Salar de Uyuni, in the altiplano in Bolivia.  It feels alien, set at over 4000m high in the Andes, close to the gods.  With the exception of the cactus, it is bereft of life.  This hostile, baron environment is one of my favourite places on earth.  There is a brutal simplicity to existence here.