Shot for the Day (5 November 2017)


Shot from a few years ago down in Devon. Jagged rocks and low summer sun. This was before the tide rushed in a soaked me if I recall. These days, I am better prepared. Wellington boots are a far better choice for beach photography than trainers…

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Shot for the Day (30 October 2017)


After trekking a few miles from a small car park at Huisinis, which itself was at the end of a long single track B road, I camped in a very isolated position, looking over at the Isle of Scarp.

The following morning, I awoke at 3.20am and walked a further 2 miles, to the end of the peninsula, to watch the majesty of the sun rising over the horizon in absolute solitude. The warm, golden light reflected on the rocks in front of me, silhouetting the distant mountains.  This image was a long exposure (201 seconds) as I wanted to soften the choppy waters and elongate the few clouds on the horizon.

Shot for the Day (4 October 2017)


I drove around Harris on my first evening, looking for the right vantage point for an end of day shot. I spoke to a local farmer, who recommended an isolate beach situated on the far side of his land. Once there, I had the whole place to myself and perhaps one of the finest sunsets I have been fortunate enough to witness.  The colours were so vibrant, the water looked like it was gold, lapping against my feet.

Shot for the Day (1 October 2017)


On the road back to Glasgow at the end of the week in the Outer Hebrides, I stopped at Etive Mor waterfall. I know this shot has been done to death and there were several photographers buzzing around the scene when I got there. However, with the light being behind the mountain and using a couple of ND grad filters, I managed to grab an interesting shot of the mountain, with the movement in the foreground water and clouds in the sky adding drama to the scene.

What do you think?

Shot for the Day (30 September 2017)


Once back on the mainland in Ullapool in Scotland and I decided to visit the local light house I had spotted on the way out and back from the Outer Hebrides.  I found a good location overlooking Rhue Lighthouse but I was being heavily buffeted by the wind, which was far stronger than the waves in the image show.  However, after about half an hour of opalescent skies, the clouds parted and the shaft of light caught the beach in the foreground and struck the light house perfectly beyond it.

I ended up having to drive pretty hard to make up for the time I spend fiddling around to get this shot, to make my flight that evening in Glasgow. however, it was definitely worth it.

Shot for the Day (26 September 2017)


The moody weather seemed very suited to the scene at Bosta beach. In the back ground, the Time and Tide Bell, by Marcus Vergette is visible. This is one of up to twelve installations around the UK, created to reinforce connections between man’s influence on the landscape and its effect on the rising sea levels. Effectively, the bell will stop tolling when the sea level rises to a certain point.

Shot for the Day (25 September 2017)


The day had been a mixture of rain and clouds. For landscape photography, this can either mean a really interesting cocktail of factors or a nightmare in the making. Alas, the rain had meant that the morning had been a write off. I travelled the length of the north coast of the Isle of Lewis without finding the right ingredients for a memorable image.

After scrutinising a map, I noticed an interesting coastline option that meant transversing a local farmer’s land. With no one around to ask for permission, I trekked the 2km to the beach and found the stormy, isolate image above.  This image is a 100 second exposure using a 10 stop ND filter. The long exposure robbed the photograph of some of the colour. To counter this, I put my longer prime lens on my camera and took a 2 second shot of a section of the same scene.