As the rest of the UK received a large dumping of snow, the Isle of Wight instead had high winds and squally rain showers. This is an image of the Needles on the west cost of the Isle of Wight. Walking up from the car park, the winds were in excess of 60 knots, which translates to mid force 11 winds, a few knots shy of hurricane wind speeds!
Shot from a few years ago down in Devon. Jagged rocks and low summer sun. This was before the tide rushed in a soaked me if I recall. These days, I am better prepared. Wellington boots are a far better choice for beach photography than trainers…
After trekking a few miles from a small car park at Huisinis, which itself was at the end of a long single track B road, I camped in a very isolated position, looking over at the Isle of Scarp.
The following morning, I awoke at 3.20am and walked a further 2 miles, to the end of the peninsula, to watch the majesty of the sun rising over the horizon in absolute solitude. The warm, golden light reflected on the rocks in front of me, silhouetting the distant mountains. This image was a long exposure (201 seconds) as I wanted to soften the choppy waters and elongate the few clouds on the horizon.
I drove around Harris on my first evening, looking for the right vantage point for an end of day shot. I spoke to a local farmer, who recommended an isolate beach situated on the far side of his land. Once there, I had the whole place to myself and perhaps one of the finest sunsets I have been fortunate enough to witness. The colours were so vibrant, the water looked like it was gold, lapping against my feet.
The day had been a mixture of rain and clouds. For landscape photography, this can either mean a really interesting cocktail of factors or a nightmare in the making. Alas, the rain had meant that the morning had been a write off. I travelled the length of the north coast of the Isle of Lewis without finding the right ingredients for a memorable image.
After scrutinising a map, I noticed an interesting coastline option that meant transversing a local farmer’s land. With no one around to ask for permission, I trekked the 2km to the beach and found the stormy, isolate image above. This image is a 100 second exposure using a 10 stop ND filter. The long exposure robbed the photograph of some of the colour. To counter this, I put my longer prime lens on my camera and took a 2 second shot of a section of the same scene.
This week was my final regular work trip out to Sweden, so I wanted to grab some images of the country whilst I still had the chance. Marstrand in the Gothenburg archipelagos was recommended as a great local site. This shot was taken on the far side of Arvidsvik Island, by one of the island’s several lighthouses, looking out west to the North Sea.
Stormy weather ahead.
The last vestiges of light were visible in the opalescent sky. Shortly after this shot was taken, the heavens opened and the rain did not stop for the next two days.
Believe it or not, this was taken on a very popular beach in Devon, just at a very unpopular time (i.e. moments before a torrential rain storm). Definitely worth it!
Taken a few days ago on the beach at Budleigh Salterton, the fisherman in the picture very kindly asked if he was ruining my shot by fishing in front of me. Normally one for trying to avoid human presence in my images, this one worked out very nicely. The lonely fisherman occupies the space between sky and sea.
Spent most of the last week in Gothenburg, so decided to capitalise on the great weather last Friday and went up to Klippan on the ferry. From there, I walked a couple of kilometres to a great vantage point where I watched the sun drop behind the horizon. Aside from the plethora of mosquitoes on hand, the experience was very serene, as only Sweden can be.