Shot for the day (31 March 2025)

One from a couple of year back of Aymer Cove, in South Devon.

The evening had the right mix of cloud and low sun, so I was able to grab this long exposure of the waves wrapping around a solitary rock jutting out of the beach.

I am planning to start using more film cameras again, as there is something incredibly satisfying about the slower, more deliberate shooting style that medium format B&W film demands. That and the fact that it is way more expensive to shoot, develop and scan film means that as a practitioner, you need to be more considered in your shooting approach.

Shot for the Day (02 March 2019)

Hopes Nose, situated close to Torquay on the southern coastline of Devon, was not somewhere I had been before.  Fortunately, the light was decent and the tide was compliant, albeit somewhat frisky. From the water’s edge, Ore Stone island is visible below the rising sun. My daughter joined me on location for this shoot. It was a treat to share such a lovely view with her.

Shot for the Day (31 August 2018)


Part of a selection of work from our recent family holiday down in Cornwall and Devon. This one is of St Michael’s Mount at dusk. The tide was high and the mosquitoes were out in force, so I was glad to find a decent vantage point.

Shot for the Day (19 April 2018)


Over the weekend, I was down in Devon and had hoped to be able to shoot a more natural setting than my recent London city images.  However, the weather had other plans. On Saturday evening, the miss rolled in and even before I arrived at Budleigh Salterton beach to shoot the end of day scenery, the fog meant that the view was very limited.

With the limited vista available, I ended up taking long exposure images of the waves lashing the shoreline. With no fixed point in focus, the end result is more reminiscent of a painting than a photograph.  It also goes to show that even when you have poor light and limited options, there are still photographs worth taking.

Shot for the Day (30 October 2017)


After trekking a few miles from a small car park at Huisinis, which itself was at the end of a long single track B road, I camped in a very isolated position, looking over at the Isle of Scarp.

The following morning, I awoke at 3.20am and walked a further 2 miles, to the end of the peninsula, to watch the majesty of the sun rising over the horizon in absolute solitude. The warm, golden light reflected on the rocks in front of me, silhouetting the distant mountains.  This image was a long exposure (201 seconds) as I wanted to soften the choppy waters and elongate the few clouds on the horizon.

Shot for the Day (08 June 2017)

Stormy weather ahead.

The last vestiges of light were visible in the opalescent sky. Shortly after this shot was taken, the heavens opened and the rain did not stop for the next two days.

Believe it or not, this was taken on a very popular beach in Devon, just at a very unpopular time (i.e. moments before a torrential rain storm). Definitely worth it!

Shot for the Day (20 March 2017)

I was standing on the edge of Lake Titicaca, the world’s highest navigable lake at a dizzy altitude of 3,811 m, when the girl in this photograph approached me and asked if I would take a picture of her.  This was in 2003, so this shot was on 120 film, certainly well before the widespread usage of digital cameras. I doubt she will ever see this image, unless she somehow managed to find my blog.

If you ever decide to see South America, I strongly recommend that you visit Lake Titicaca, on the border of Peru and Bolivia. The lake is beautiful, with the Andes scraping the sky behind them in the distance.

Shot for the Day (09 March 2017)

Last time I was in Ushuaia, the most southern city in the world, was back in 2010.  I visited Argentina, Bolivia and Chile for a 20 day photography trip.  I started in Tierra del Fuego and worked my way north.

Ushuaia is an industrial town, situated next to the Beagle Channel, nestled amongst the mountains.  Whilst wondering along the waters edge, I cam across this old tug that had run aground.  The scene felt as desolate as the wintry weather that was lashing it that morning.

Shot for the Day (23 February 2017)

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Walking along the beach in Exmouth last week, the clouds took on a pattern similar to the sand bumps on the shore.  My new Formatt-Hitech filter gave a warm purple tone instead of the customary cold blue of the Lee filters, lifting the colour of the scene. I was so pre-occupied with the scene that I did not notice the progressive surf.  Moments later, a wave washed in from my left and soaked me to the knee.  Worth it though.